Saturday, November 26, 2022

Complete episode listings as of today...

 I will be returning to episode reviews at some point.  I've now seen the complete third season of Lower Decks and recent episodes of Prodigy.  I have completed listings for all episodes that've aired through today (11/26/22) on each show's page, including a few listings indicating new classics (you'll just have to look around to find out!).  I've also done a second viewing of Picard's second season, and have now come around to the show's version of Young Guinan, so there's that!  

On the bright side, being so far behind reviews will just put me back in the mode this blog was in originally.  At some point there might actually be fans using this as a resource!  

One can only hope, anyway...!

Saturday, July 9, 2022

Rough thoughts on the fourth season finale of Discovery, second season of Picard, first season of Strange New Worlds...

 I haven't written a review since the beginning of March...As it turns out when you start slipping it becomes easier to slide.  I have continued to watch.  This blog features reviews for every episode and movie of the franchise, so of course the plan is to catch up again.  Actually, some of the time since then was filled by rewatching the entirety of the original series, and I've wanted to write about that, too, as there are many episodes I haven't seen since I was a kid, so that was certainly interesting.

And a lot of new Star Trek has since happened, including the release of the first season finale of Strange New Worlds a few days ago.  I just finished catching up on the last three episodes of the season.  I thoroughly enjoyed Strange New Worlds, not just for the callbacks (the strongest by far of which was getting to see Spock interact with T'Pring) but the new elements as well.  I may endlessly sound as hopelessly biased (I have yet to see an incarnation of Star Trek I have not been able to enjoy in some capacity), but that was as strong a first season as I've seen.

The second season of Picard was much more problematic for me, with much of the problems centering around its inability to nail one of its central callbacks (the characterization of Guinan), as it struggled to make relevant observations about the present while explaining its vision for the tragic backstory of its lead character.  I adored the first season, and the second was already sold with its inclusion of Q alone.  In the last episode I think things were salvaged sufficiently (Q got a better goodbye, ultimately, than Data did, and that wonderful cameo from Wesley Crusher), so even though the season, once I write it up, will get a much-dreaded "worst episodes" tag (my list is different than the average fan's), which I haven't employed often or very recently (there're fourteen episodes, and while the most recent one is from Voyager's unpopular sixth season, it's not even an episode fans ever discuss among the franchise's worst, none of which, actually, make mine).

Discovery ended on a fine cerebral note, its fourth (!!!) season, and while social media tried to make a big deal out of a cameo from Stacey Abrams, I don't see it as any kind of problem.  

They say filming has already ended, on the third (and final) season of Picard, second season of Strange New Worlds, at least.  It's still incredible to think that we've gotten so much new Star Trek in recent years.  A new movie is finally in the works (Beyond was released in 2016, which gives us about one more year before a new record gap between entries happens), with the Kelvinverse crew returning (probably).

Star Trek may still linger significantly behind Star Wars in pop culture credentials (witness how visible interest in the latest Disney+ series was, as has been the case with all of them), but...you know, it really doesn't matter.

Saturday, March 5, 2022

Star Trek: Picard 2x1 "The Star Gazer" Review

rating: ****

the story: Picard finds himself drafted into a most unexpected scenario, and then, of course, things spiral out of control...

review: The focus of this review will be the window into the background of Jean-Luc Picard that "The Star Gazer" uses for its title, the relationship with his mother that we're allowed to see for the first time.  This is an essential contribution to the character's lore.

Storytelling in the franchise originally focused only on the moment.  Any information about biographical details surfaced in dialogue.  There were never flashbacks.  The first exception to this occurred in Deep Space Nine's pilot, "Emissary," in which the Prophets grant Sisko, and the viewer, a vision allowing him to revisit how he met his wife Jennifer, and of course the first moments of the episode, in which we see how she died, during the Battle of Wolf 359.  Later, in Voyager, Tuvok's past is glimpsed in "Gravity," and "Flashback" provides a visit into his early Starfleet career.  The precedent to all this was The Animated Series' "Yesteryear," in which Spock visits himself when he was a child.  It wasn't until Star Trek, though, that the storytelling was allowed to be a truly organic element, where the narrative was able to jump from one time period to another, from the moment of Kirk's birth to Spock's formative years as he struggles to reconcile his Vulcan and human halves.

In "The Star Gazer" we see our first-ever look back at Picard in a similar manner.  Through the rivalry with his brother, explored in "Family" from Next Generation, we knew something of his origins, and we had even seen both his mother and his father in various visions.  In this episode, however, we see Picard as a child, interacting with his mother.  Interestingly, this sequence even evokes the Picard we hear about in Nemesis, whose conversations with Shinzon explore how he became interested in space.  The rest of the episode, as has the series itself, is steeped in more of his career than the mere fact that he was once in command of a starship that was lost in battle with a mysterious foe (that turned out to be the Ferengi!).

So yes, this is not Next Generation Part 2, but very much its own story, very much centered on Picard, for anyone still confused about this.  And this is the episode some of us have been really clamoring for, a visit with Guinan!  It happens to delve into the nature of Picard's romantic aloofness, as he happens to be falling in love with the nice Romulan lady who assists him at the vineyard and still trying desperately to deny such a thing could be happening...

The cast of the first season returns and they're all off on new adventures of one variety or another...until the final moments of the episode, in which the Borg are once again rearing their technological and biological distinctiveness and...Q!  Even more than Guinan, true aficionados have been craving for another clash between Picard and Q ever since 1994.  So it is very much cause for celebration.

criteria analysis:

  • franchise - A relatively new tradition of allowing a character's full history to be seen and entered into canon is embraced.
  • series - Picard, for all intents and purposes, fulfills several long-held desires by welcoming both Guinan and Q into the fold.
  • character - Picard, as never before, blossoms as a fully-dimensional character free from the typical constraints of franchise storytelling.
  • essential - Perhaps more so than Kirk and Spock's arcs in Star Trek, seeing this come about at the end of a long life is if anything even more rewarding.  This is historic in all the right ways. 
notable guest-stars:
Whoopi Goldberg (Guinan)
John De Lancie (Q)

Star Trek: Discovery 4x11 "Rosetta" Review

rating: ***

the story: Burnham leads an away team that explores a planet that may be the key to understanding Species 10C.

review: This is the kind of episode that should absolutely happen in a serialized version of Star Trek that nonetheless still has to have episodic elements.  Too often Discovery has stumbled on such elements, especially ones that try to simulate classic franchise material, and yet this time everything works quite nicely.

The away team (as with the rest of the season, a spotlight is given to one of the bridge crew, this time Detmer, who ordinarily have mere supporting roles in the background) experiences strange sensations that might have played out in a more outlandish fashion had the episode not managed sufficient control of itself (actually, I've often yearned for this when watching Star Trek in general), moving on rather than lingering on a given element.  To wit: Saru is the first affected by the elements on the planet, but quickly enough Burnham and Culber are, too, and then they realize why, and solve the problem, and make further breakthroughs.

This whole process is mirrored by how Reno is featured in the episode.  Reno has been considered a regular member of the ensemble this season despite this being only her second appearance so far, and even in this one she doesn't seem like her usual self, initially, just an excuse to be present and accounted for, until the twist at the end that adds a much-welcome further wrinkle to the season arc.  To know more about that you'll just have to wait and read the review of the next episode, if you haven't by then caught up.

So for me it's quite a rewarding episode, including how the delegates are used.  It's very much a Xindi Council, third season Enterprise kind of experience for me, and as a fan of that season and series, it's nice to be able to say that.

criteria analysis:

  • franchise - By side-stepping the typical pitfalls in Star Trek storytelling, it actually transcends them in a very welcome way.
  • series - Which further distinguishes Discovery as blazing its own path.
  • character - Detmer might end up feeling the most organic use of background characters in the foreground this season, though the Reno twist is my favorite, as it has far more potential.
  • essential - The plot advances on a few levels, one in a very unexpected but very welcome way.

Saturday, February 26, 2022

Star Trek: Discovery 4x10 "The Galactic Barrier" Review

rating: ***

the story: The crew reaches, well, the Galactic Barrier.

review: They aren't looking for God!  I know any fans (who are probably shuddering to do so, given its terrible and not totally earned reputation) making the association with Star Trek V: The Final Frontier can't help but think exactly that (but we still haven't identified Species 10C!), so let's just get that out of the way.

For me, the season just keeps getting better with these latest episodes.  I really wanted to grant "classic" status to this one, but decided it lacked the killer moment(s) that would truly warrant it, except for a wealth of character moments, chiefly among them Tarka's surprising backstory and Burnham burying the hatchet with President Rillak (finally putting her name in these reviews!), plus Saru in arguably his first real character arc, continuing along the journey to finding love with T'Rina (the actors playing all these recurring characters are omitted from the "notable guest-stars" section in large part because Discovery's use of such characters, from the first season onward, has been so much more steady than even Deep Space Nine's deep roster ever managed; I've instead been employing, for this series, the appearances of famous actors, which is why Oded Fehr regularly appears in it despite the fact that Vance is otherwise indistinguishable from the frequency of use as the others).

But Tarka!  Unexpected!  To say the least!  A very welcome one indeed, kind of the reverse of Lorca, in that he appeared to be a basically villainous character and now we see, apparently, that he's actually a good guy (mirrored by Rillak's arc, of course) looking for a little redemption.  For me it elevates the whole season, in addition to other pieces of the episode, including the delegate who cracks funny so randomly early on.  Often the series can labor on a fairly dour tone, when it's so often at its best in characters like Reno or the brilliant scientific minds getting to sound brilliant (I honestly don't believe any incarnation of the franchise has so successfully pushed science as being this cool, not since the original series, which famously did so with the introductions of so many gadgets like the transporter and communicator).

So an episode that doesn't seem overly eager to advance the season arc instead pushes all the right character buttons, which itself has been a significant goal of the season.  

criteria analysis:

  • franchise - This is where I "deduct a point" in the inconclusive experience with the galactic barrier, which would itself have been the big deal in most other versions of this story.
  • series - This is how confident the storytelling is, that it can hit that note without obsessing over it, because there's more to focus on, so much so that Kovich can actually suggest there's more stuff to worry about besides the DMA without giving so much as a hint as to what it is!
  • character - Tarka, who wins distinction as a recurring character who essentially has his own episode, more directly than Airiam in the second season, more like Nog from Deep Space Nine.
  • essential - It's the deft handling of all the characters that helps the episode shine, when there had been points earlier in the season where this much emphasis nearly sank the storytelling.
notable guest-stars:
Oded Fehr (Vance)
David Cronenberg (Kovich)

Saturday, February 19, 2022

Star Trek: Discovery 4x9 "Rubicon" Review

rating: ****

the story: Burnham duels with Book on the cusp of Tarka's weapon being deployed.

review: Most fans will consider Wrath of Khan to be the ultimate test of wills in the franchise, and yet for me it has long been "For the Uniform," the Deep Space Nine episode in which Sisko matches wits with Eddington, the security officer who joined the Maquis right under his nose and got away with it.  The whole episode is Sisko trying and failing to get his revenge; Eddington refers to their new relationship as Javert and Valjean from Les Miserables, rather than the Moby-Dick references of Khan and First Contact.  

And anyway, watching the maneuvering between Burnham and Book in "Rubicon" feels gloriously to par with that.  The feeling of betrayal has been a major part of the season since Book split off with Tarka, and Burnham couldn't fathom how this had happened, and ever since the season has been referencing a period from just after the start of the previous season that viewers never actually got to witness, the time where they shared adventures together before the rest of the Discovery crew showed up in the 32nd century.

(Other viewers have been keeping track of what exactly Species 10C, who set up the DMA, has been mining, which is Voyager's omega particle; Tarka's weapon runs on the same isolytic weaponry featured in Insurrection.  I don't often feature enough details in these reviews.  But I like franchise links, and it's definitely worth referencing that. The mining nature of the DMA evokes not only the classic "Devil in the Dark," but Nero in Star Trek, although of course there are still plenty of episodes left in the season to wait and see what Species 10C is actually like; the naming scheme for them also evokes Species 8472, also from Voyager.)

I'm dubbing the results a classic for that reason.  I don't think the episode is overall as crisp as other Discovery entries I've granted that status, but I think the thrill of the encounter is good enough, something the season has been chasing, and also badly needed, to nail the arc, and to give weight to Book, his arc, and even Burnham, who to this point had been defined by relationships with characters like Georgiou, Spock, and Tyler, all of whom ended up going in their own directions.

criteria analysis:

  • franchise - Fans should see welcome echoes in the showdown at the heart of the episode.
  • series - One way or another "Rubicon" advances the season arc in a definitive way.
  • character - Probably a defining moment for both Burnham and Book.
  • essential - Wait, what am I saying, probably?  Absolutely!  It absolutely is!
notable guest-stars:
Oded Fehr (Vance)

Saturday, February 12, 2022

Star Trek: Discovery 4x8 "All In" Review

rating: ***

the story: Burnham and Book pursue their separate goals at the same poker table.

review: I loved that the episode hinges on a (space) poker game.  As a franchise fan, it evokes Next Generation too easily to be ignored, and unlike that series, it's a game with truly high stakes.  While the episode sort of coasts along, that sequence, and how lively Burnham is (arguably the most lively she's been to date, in the whole series), it's very easy to love.  I think if the creators were paying attention to this production, they may've stumbled upon something very crucial to the continuing adventures of this crew.

It's a waltz, really, between Burnham and Book.  Book is an incredibly reluctant villain at this point, and for whatever reason once again reverting to a lethargic persona, which has been crushing his appeal all season.  Call it malaise, PTSD, or just uninspired acting, but it sets off Burnham's energy as never before, so I guess there's some positive to it.

Star Trek visits another attempt at the Star Wars cantina, and with all the moody (read: very, very dark) lighting, it's hard to really get into it, but the guy with all the goods is nothing like Quark in Deep Space Nine (but, and this is relevant because there's a Founder in the episode! Odo never let him get away with quite this much), and adds the same kind of energy as Book's other running mate, Tarka (although even he doesn't have much to do this episode), and Vance, who arguably has his best appearance to date feeling rotten he put so much faith in that guy.

The sequence with the bot Culber won't just clean like it desperately wants to is a nice touch, too, and how everyone finds what they're looking for, including the location of the unknown species and what their actual (probable) motivations are is handled so well, if Book hadn't turned so stubbornly into Eeyor I would've really loved this one.

criteria analysis:

  • franchise - It feels like a nod to Next Generation, that epic (space) poker game.
  • series - Several big developments for the season arc this episode.
  • character - Arguably the most fun Michael Burnham has ever been.
  • essential - Taking everything down a notch is the gloom in both the cinematography and the general character of Book.  
notable guest-stars:
Oded Fehr (Vance)

Saturday, February 5, 2022

Star Trek: Prodigy 1x10 "A Moral Star, Part 2" Review

rating: ***

the story: We find out the Diviner's motivations.

review: The internet very troublingly suggested there might actually be merit to the Diviner's actions, that they represent a viable alternative look at the Federation.  I'm here to state categorically, as presented in this episode, this could not be farther from the truth.  He's no different from Nero in Star Trek attempting revenge without the least bit thinking it out, lashing out like, well, a villain.  

To put it simply, the Diviner is a time traveler who is attempting to gain revenge on the Federation for his homeworld's first contact, which led to a devastating civil war.  The Diviner assigning blame to the Federation, rather than his people, is absurd.  We've seen nothing noble about this guy, no redeeming quality, not even love for his daughter Gwyn (instead a possessiveness hinged only on her representing one last member of his species, after himself).

So that's what we learn this episode.  Very begrudgingly, he reveals all this to Gwyn, even as the rest of the good guys are mounting a plan to get the ship back.

The clever thing the episode does is tell the viewer what it needs to know, but prevent the characters themselves from knowing, which leaves a climactic moment free to leave an explosive dangling plot for when the series picks back up again in the fall.  We think they won!  They're getting what they wanted!

Well, careful what you wish for...

The episode ends as we meet up with the real Janeway, who will hopefully help all of us solve the mystery of what exactly happened to Chakotay.  Truthfully, I've watched the last few episodes expecting to learn something, anything, about that, but the series itself went in a different direction.  I really do hope the Diviner arc is over, at least with his active participation, at least in the snarling role he's had.  

criteria analysis:

  • franchise - The sort of amazing that I want is perhaps a little impatient.  It doesn't want to wait so long for Chakotay.  
  • series - One way or another, this is a definitive turning point for the series.
  • character - He turns out to be very much a villain, but at least we get to see why the Diviner is one.
  • essential - Hey, and they even have their own nifty uniforms now, too, I might add.  The show has found its stride.

Star Trek: Prodigy 1x9 "A Moral Star, Part 1" Review

rating: ***

the story: The Diviner finally gets his hands on the ship.

review: I haven't been overly patient with the Diviner arc mostly because it symbolizes how fast and loose the series has played with distances, which greatly simplifies the storytelling but has never been adequately explained.  To be a constant threat the Diviner needed a good enough reason to remain one once the crew had split off far beyond his reach.  This episode, he gets one, by getting the crew to return to him.

This is possible because his robotic henchman Drednok is able to visit the ship, which actually first occurred the previous episode (he apparently has multiple bodies).  The crew is faced with an ultimatum of relinquishing the ship or being responsible for the Diviner slaughtering the rest of the workforce in the mining camp they escaped from.

Anyway, what all this really amounts to is advancing the plot.  In a serialized story you kind of need to do that.  By the end of the episode, as indicated above, the Diviner "wins," and in the bargain has reunited with his wayward daughter Gwyn, which leaves us with a cliffhanger, and another review in which I consider whether the Diviner is worth more than he seems...

criteria analysis:

  • franchise - I don't think anything "great" happens in the episode.  Fans not committed to the series would not necessarily be missing anything.
  • series - Although fans of Prodigy obviously would!
  • character - The Diviner takes a step closer to becoming truly meaningful.
  • essential - It seems increasingly likely that we approach the real end of the Diviner arc.

Star Trek: Prodigy 1x8 "Time Amok" Review

rating: ***

the story: Our crew ends up split in time.

review: Well, gosh darn it...I may actually be a fan of this show now.

This is my favorite episode of the first ten.  Typically I'm fairly generous with four stars/classic status (I guarantee you will find very few fans who have not only watched the whole franchise but enjoyed a lot of it).  It's true that even calling "Time Amok" my favorite I'm still not awarding it four.  I reserve that for when I think a real contribution has been made to franchise lore.  What I mean to say about this episode is that it has officially made it safe for me to believe Prodigy will reach that point.

There will be newer fans who will be absolutely flabbergasted even at that.  This is a version of Star Trek we've never seen before.  It's a true entry point, and it's perhaps for some new fans the only Star Trek that is going to make any sense at all to them, at least for the foreseeable future.  That's a plain fact.  

For me, until this point, the series was too self-conscious, too caught up trying to justify itself, too worry about what its characters were doing to just allow them to inhabit an episode.  In this one, for the first time ever, Janeway challenges them and they're...ready.  They just are, and all it takes in one purple wave to run through the ship and split them up.

The biggest beneficiary is Rok.  For all her early appearances this was the "gentle giant" whose main distinguishing factor was the little kid's voice.  While Dal spends so much time doing a bad impression of a Lower Decks we're-not-gonna-grow-up!!! attitude (which is mostly absent from the episode, another point in its favor), Rok has been waiting patiently for a spotlight.  The best tradition of Star Trek storytelling is that every main character eventually gets at least one.  What helps sell it is that the episode doesn't even worry about it, but just lets it happen.  In fact, other than the recurring bit about not wanting to be seen as "security material," there's no indication at all that this is a Rok episode until it turns into one.

It's truly organic storytelling.  Sometimes serialized TV finds this the hardest accomplishment, so busy just trying to move a story along.  Other than Gwyn's daddy arc, it really seemed as if Prodigy simply wasn't interested, and so my attention had faded.

It's not lost on me that the title of the episode deliberately riffs on a classic one (from the original series, and I will not tell you which one, even if you are new to Star Trek).

criteria analysis:

  • franchise - Here's where I nominally dock a point.  You don't need to be an existing fan to understand this one at all, which is actually a good thing.
  • series - Achieving a longstanding goal of getting the crew to function together by splitting it up.  Brilliant!
  • character - Rok, who, as it turns out, rocks.
  • essential - For Prodigy, a breakthrough moment to be celebrated.
notable guest-stars:
Robert Beltran (Chakotay)

Saturday, January 22, 2022

Farewell to the Lower Decks Message Boards

I guess it’s official, the Lower Decks message boards are gone.

It’s funny, because now if you mention “Lower Decks” to a Star Trek fan, they’ll of course automatically think of the animated series. Twenty years ago it wasn’t even a question. It wasn’t even the Next Generation episode but an online community that at that time was fiercely loyal, a family, really.

My firmest memory of becoming a part of it was in the summer of 2000, when the forums were a part of the old Section 31 website (itself well before anyone outside of Deep Space Nine had heard of the controversial Starfleet black ops group). I assume I must have been visiting earlier than that, because even at that point the legendary banter between “Q” and “Shadow” was very familiar to me. 

When the owner of the Section 31 incarnation cashed out, the forums community created Lower Decks as its replacement in 2002. As a longtime Star Trek fan, this was my experience of the larger fan base. This was also where I wrote most of my formative fiction, found my voice. When the main page relaunched, I was also a regular contributor, writing reviews and columns, of the wider sci-fi experience and the franchise itself. 

2002 was when I began blogging, too, well before anyone who knows my blog material now had any clue I existed. I guess, twenty years on, it’s appropriate to have attempted visiting the mostly ghost forums that had lingered in recent years and finally finding the domain open.

So long, and thanks for all the fish.

Saturday, January 15, 2022

Star Trek: Prodigy 1x7 "First Con-tact" Review

rating: **

the story: Dal reunites with the Ferengi who raised him.

review: The thing that's gonna be a problem for a viewer like me is that I'm not the target audience, and so will be asking questions the show is either going to address later or possibly not at all, and that's hard to swallow.  The Ferengi character introduces the biggest stumbling block yet, and the episode makes no effort to explain the apparent difficulties.

This is a series that begins in the Delta Quadrant.  The Delta Quadrant, as very emphatically stated in Voyager, is too far from the Alpha and Beta Quadrants (where the majority of the franchise takes place) to make casual journeys practical.  There's always the chance of random transplanting (as Voyager itself represented), and of course a few Ferengi in The Next Generation did exactly that (which, too, was featured in Voyager).  But the chances of a Ferengi raising Dal, who we find in the Delta Quadrant, ending up in the Gamma Quadrant (no hint of close association with which was ever uttered in Voyager or Deep Space Nine), it just complicates things too much, with again, no attempt at all to throw existing fans a bone in untangling it.  

Conceivably, Dal's Ferengi pal traveled to the Gamma Quadrant from the Bajoran wormhole, although at what point even that is difficult to determine.  Women in Ferengi society didn't receive mainstream rights until the end of Deep Space Nine, which introduces a very short window for this one to have begun operating as a typical Ferengi (which itself is also anachronistic, because soon after Deep Space Nine give Ferengi women rights, it also reformed Ferengi society itself to be less driven by profit)...Anyway, I don't think Prodigy expects its viewers to be worrying too much about any of this, much less why the Dominion and the Borg Collective apparently never bothered each other, so...let's just move on.

The story itself is another episodic one, involving the Starfleet standard of first contact protocols (the name of the episode, as spelled in the episode itself, is exactly the same as the Next Generation episode, and the second Next Generation movie, but in all other references emphasizes the Ferengi's true motives with a single hyphen).  Dal surprisingly isn't the villainish character this time, and comes up with a quick heroic solution in the end, but the Ferengi is not only villainous but even willing to immediately transmit her knowledge of Dal's whereabouts (and that of the Protostar) to the Diviner.

The use of familiar interference protocols is about as subtle as it was when Discovery attempted it in its first season.  Again, younger viewers aren't going to be quibbling with any of this, and most of the time there's little reason to believe Prodigy has much interest in anyone else's opinion.  This is disappointing for fans who might think otherwise, and who've made it this far watching the whole franchise without blinking when so many have cherrypicked their way through.

And very little effort is even made to advance the Chakotay subplot!  Why must they these things out???

criteria analysis:

  • franchise - The crew again attempting to familiarize itself with Starfleet standards at least gives casual viewers something to latch onto.  That and the Ferengi.
  • series - A moment that ought to have deepened show mythology feels like it leaves too many unanswered questions. 
  • character - Points for adding some depth to Dal.
  • essential - And taken, for thinking new and old fans will be happy with how little is actually done with it.
  • notable guest-stars:
  • Robert Beltran (Chakotay)

Star Trek: Prodigy 1x6 "Kobayashi" Review

rating: ***

the story: Dal tries his luck with the Kobayashi Maru training program.

review: In all three Star Trek shows that've broadcast new episodes in the past few months, either the Kobayashi Maru program itself or something similar (in the case of Lower Decks) has been featured.  The fourth season premiere of Discovery was even titled "Kobayashi Maru," and now Prodigy builds an episode around the program, with the title "Kobayashi."  I don't know if the writers of these shows cross the hall, visit the same writing rooms, or there are producers suggesting any of this common material, but anyone actually watching all of it (Star Trek fans usually don't go out of their watch to watch all of it, as we all discovered in the '90s) might begin to consider the material somewhat repetitive.  Again, there's no reason to expect every fan to see all of it (resources like this blog in which one person does are probably rare), but those that do, it's an odd choice, whether deliberate or remarkable coincidence.

There's the good enough excuse that each of the series is approaching this material from different vantage points and theoretically even for different audiences.  Prodigy, for instance, is obviously intended for younger viewers, most of whom will probably never have seen any Star Trek before.  They might later track down all the source material for the dialogue uttering from the mouths of famous franchise characters like Spock, Uhura, Scotty, Odo, (and the new stuff from Crusher) (I don't know why Enterprise in particular should have been left out), or, eventually, attempt to watch all of it, I don't know.  The effort of putting this material together is itself perhaps the most ambitious and fan-friendly thing Prodigy has done, something those who haven't been watching, and perhaps don't intend to watch again might very well consider, as with the Deep Space Nine episode "Trials and Tribble-ations," is worth the odd visit.  So it can be an experience for both new and existing fans.  

I haven't dubbed an episode of the series worth classic status yet.  This one comes closest.  The reservation, as always, comes with lead character Dal, who still doesn't feel like he's overly worth getting attached to, who keeps stumbling up against his limitations without really growing from the effort.  In a format like this it probably feels like exactly the right thing for the creators to be doing, since they're serializing the whole season, and thus don't want to be making definitive points too soon.  Which is, for me, a huge part of why this kind of TV should always be approached with caution, especially when the show goes out of its way, at the start, to let you know that the journey is going to be the whole point.  

The cast around Dal continues to be engaging, although they're increasingly one-note characters, except for the only other one, Gwyn, with an arc, and as of this episode, possibly not even exactly what it had previously seemed.  Her bad dad, the Diviner, hasn't given up yet his quest for the wayward Starfleet ship that also offers up tantalizing answers to its own mysteries, including a glimpse at Hologram Janeway's old running mate, Chakotay.  What if the Diviner isn't quite the villain he seemed?  But also, crucially, how does he stand even a remote chance, under his own power, of reaching the Protostar, which has leaped to an entirely different quadrant?  Unless Gwyn can convince everyone it's in anyone's interests to make it happen?

criteria analysis:

  • franchise - All those familiar faces, and voices! are like puppy chow for fans.  Hard not to love. The Kobayashi Maru simulation is itself enticing, although the show's demonstration of it circles far around its parameters.
  • series - A few tantalizing clues about why lies ahead, including our first glimpse at what lay behind.
  • character - Dal is, for me, as hard to like as always, but placing him into familiar context at least places his struggle into a palatable light.
  • essential - It's strange, for a series built around borrowing one familiar face to throw so many others at the viewer, and only a glimpse of the one who actually serves a purpose to the plot.  It's an episodic adventure that both yearns to be more than the series has been and sinks into the poorer instincts that have saddled it since the start.  
notable guest-stars:
Robert Beltran (Chakotay)

Monday, January 3, 2022

Star Trek: Discovery 4x7 "...But to Connect" Review

rating: ***

the story: With two options on how to proceed in confronting the crisis, an unexpected roadblock emerges in Zora's willingness to cooperate.

review: I enjoyed this much better than "Stormy Weather," and yet I'm not sure the resolution with Zora, the ship's computer now become its own entity, was entirely nailed.

Next Generation had previously tackled, in a number of ways, the upper thresholds of artificial intelligence, both in Data and within the ship's computer itself, among others, and of course Voyager's Doctor ("Latent Image," in particular), so Zora's arc was very much familiar, although approached from its own unique vantage point.  The problem is the viewer's ability to fully invest in a character they can't see but only hear.  in the Short Trek "Calypso," we did see Zora.  In a sense, the lasts two seasons have been competing with "Calypso," which was a standout experience on any number of levels.  Even its central character, Craft, has had a kind of stand-in with Book, who in "Connect" makes a bold decision I'll get back to later.  There's also the somewhat tangled web of those directly involved in her arc this episode.  David Cronenberg's Kovich gets arguably his biggest spotlight as part of it, as he's tasked with deciding how to handle Zora's evolution.  Stamets, surprisingly, is the one who has the biggest problem with it, and I'm not sure the episode nails his role.  Gray and Adira show up as Zora's cheerleaders, though neither one has particularly strong material to show for it.

Anyway, the episode presents two possible solutions to the crisis at hand.  One, once Zora agrees to cooperate, is to confront, peacefully if at all possible, those responsible for the anomaly, which involves a gathering of delegates to reach that conclusion, including a representative of Earth (that's another fun point to pick back up from last season).  The other is a weapon (evoking Insurrection) developed by Tarka, the tactless genius (whose very existence has finally convinced Stamets to find some) from "The Examples," who provides another welcome dose of friction, and in the end, an offer too tempting for Book to pass up.

(It's also worth noting that the potential enemy comes from beyond the Galactic Barrier, which we learned a few episodes ago; this is of course an unexpected reference to The Final Frontier; this whole arc has been drawing on familiar franchise lore, a deliberate bid to get fans who don't think Discovery is familiar enough to consider it well within the franchise fold after all.)

Unlike the talkiness of "Weather," the constant barrage of chatter works well in "Connect," an excellent example of Star Trek's intellectual proclivities.

criteria analysis:

  • franchise - Zora's arc ought to evoke plenty of familiar associations.
  • series - The progress of the season arc advances in a carefully calculated way.
  • character - Zora is once again the standout character in what is very close to a defining episode.
  • essential - It feels like the show was hedging its bets with her.  Maybe I'm not being fair.
notable guest-stars:
David Cronenberg (Kovich)

Star Trek: Discovery 4x6 "Stormy Weather" Review

rating: ***

the story: The ship accidentally gets stuck in a void created by the anomaly.

review: This might be one of those episodes I'll have to revisit later.  Watching it the first time I found myself surprisingly conflicted.  Even the showcase element at the end of "Stormy Weather" wasn't enough to completely sell me on it.

"Weather" evokes classic franchise storytelling (Voyager had a couple episodes where the ship got stuck in a pocket region of space), but never completely feels like a classic Discovery moment despite trying to be.  For me, this has long been a series defined by its smart characters sometimes spontaneously combining for sequences of fast-paced collaboration.  "Weather" lumbers along as literally everyone gets a say in how to resolve the crisis, a ponderous representation of the season's increased focus on inclusivity (Gray, who finally has a moment this episode trying to bolster Zora's spirits, has never felt as organic since a sensational debut in "Forget Me Not").  

When a solution is finally reached, it involves evoking yet another piece of franchise lore (Scotty being stuck in a transport buffer in Next Generation's "Relics") before putting the ship to considerable stress and Burnham at minimal risk (it's still a game effort at a mostly visual sequence, which was the best viewing experience of the episode and itself worth revisiting later).

criteria analysis:

  • franchise - Fans often disagree, but I like when Star Trek evokes itself.  In literature, it's called resonance.
  • series - As a part of the season arc I like how the episode further complicates attempting to understand the anomaly.  (This also feels like third season Enterprise territory, by the way.)
  • character - Zora, the computer, is becoming a real character as of this episode as her evolution seriously complicates matters for the first time.
  • essential - A previous stumbling block this season was the inability to adequately focus, although the more alarming part was how the episode just plain doesn't understand how this series works at its best, even in a scenario that seems tailor-made for it.  I don't blame director Jonathan Frakes for this (it seems the intent was to have the First Contact feel, at times, but the writing just didn't support it).

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