Showing posts with label Kellie Waymire. Show all posts
Showing posts with label Kellie Waymire. Show all posts

Wednesday, April 11, 2018

Enterprise 1x25 "Two Days and Two Nights"

rating: **

the story: The crew attempt to enjoy some r&r.

what it's all about: For the past few episodes this trip to Risa kept getting interrupted, creating one of the more esoteric serialized stories in franchise lore.  Risa is the pleasure planet previously featured in Next Generation and Deep Space Nine, so this is another of those soft hooks.  The episode itself is actually pretty much composed of separate vignettes for one or more characters.  Everyone has something to do.  Admittedly, Mayweather's is minimal compared to everyone else's, getting treated by a compromised Phlox, attempting to get some hibernating in.  Hoshi has the happiest experience.  Trip and Reed have perhaps an even more awkward experience together than in "Shuttlepod One."

And Archer discovers backlash from "Detained."  The aliens who'd been harassing innocent Suliban send an undercover agent to spy on him. It's a soft continuation of the story, but it's appreciated for having been done at all.

Otherwise a fairly deliberately low key affair, just spending time with the characters.

criteria analysis:
  • franchise - It' doubtful that casual fans will care too much about a visit to Risa.
  • series - Some soft serialization in a follow-up to "Detained."
  • character - Everyone gets in at least one moment.
  • essential - Not especially.
notable guest-stars:
Kellie Waymire (Cutler)

Thursday, March 29, 2018

Enterprise 1x13 "Dear Doctor"

rating: ****

the story: The crew faces a difficult moral dilemma when they encounter two competing species on an alien world with a medical crisis pitting their futures against each other.

what it's all about: "Dear Doctor" is the first season episode generally agreed by fans to be the first great episode of the series.  It's another foundation episode, in that it's technically about setting up one of the basic elements later taken for granted in the franchise, the Prime Directive, and yet for the first time it feels not only completely natural, but incredibly compelling.

A lot of that is down to Phlox.  As one of two aliens in the crew, and out of the two the one from a race created for Enterprise, so with infinitely more to account for, Phlox had a lot to prove.  If Denobulans themselves never quite seemed to become significant (they're depicted from the start as ready allies of humans, so there isn't even an arc for that), Phlox quickly earned his place as one of the cornerstones of the series.  Enterprise had been from the start posited as Star Trek essentially explaining itself, so that even less could be taken for granted than its predecessor, Voyager, whose crew may have been cut off from home but at least knew what Starfleet's mission was, even 70,000 lightyears away.  This meant that every decision was a hard one.  None were ever as difficult, maybe, as this one.

Phlox unexpectedly becomes the voice of pragmatism.  In the pilot, he famously beams at Archer while declaring optimism to be the order of the day, and yet in "Dear Doctor," he faces a different path entirely.  The Prime Directive is a tricky concept.  Practically, it represents another relic of the Cold War, the growing reluctance on the part of war-weary Americans to interfere in developing countries.  It might also be seen as a metaphor about UFO culture, that ever-present doubt as to whether or not we've been visited by aliens.  Certainly with no definitive proof, we have to assume either that aliens don't exist, or they haven't yet made their presence known.  Why?  Because we aren't ready.  That's what Vulcans announced, right from the start, even as explained in Star Trek: First Contact, and then all the more emphatically in Enterprise.  But what does that look like when applied to someone else?  Kirk never seemed to mind bending the rules, and yet the rules existed.  This is why.

It's told in epistolary format, like two standout Deep Space Nine episodes before it, "Whispers" and "In the Pale Moonlight," as well as Next Generation's "Data's Day."  One almost wonders why it isn't done more often, if the results tend to turn out so well.  Phlox is composing a letter to a friend, his human counterpart in the interspecies medical exchange program, whom we actually get to meet in the fourth season ("Cold Station 12"), and the dominance of Phlox's presence in the episode reiterates not only his importance to its story but in the series as a whole.  He becomes, halfway through the season, one of Enterprise's defining assets. 

What makes the proceedings all the more remarkable is that the series produces a kind of answer to it in the third season, "Similitude," and that one's a classic, too.

criteria analysis:
  • franchise - A study of the concept of the Prime Directive.
  • series - One of the key moments of learning how some of the classic Star Trek elements came about.
  • character - Phlox steps into the spotlight.
  • essential - Actually, he downright commands it.
notable guest-stars:
Kellie Waymire (Cutler)

Friday, March 9, 2018

Enterprise 1x4 "Strange New World"

rating: ***

the story: An away team becomes stranded on a planet and begins to grow paranoid.

what it's all about: In hindsight, "Strange New World" would probably have made a better first regular episode for the series.  It addresses the tension of having T'Pol among the crew and demonstrates the limits of the crew's technology, featuring a scenario where the transporter is necessary but problematic, and allows characters to talk freely so we get to know them outside their shipboard functions. 

It's one thing to have a setup where humans are resentful of Vulcans, but another to internalize it, and this is basically the one episode where the series allows anyone to question T'Pol herself, even if there's an elaborate excuse for it.  With everyone's trust being warn away by an infection, Trip gives full vent to his biggest fears concerning her, that T'Pol is only there to further hold back Starfleet's mission.

The campfire scene, before that, when Mayweather's telling a ghost story and we meet Cutler for the first time, is an early defining moment for the series.  This never happens in any series previously.  There'd never been a feeling of such informality allowed in a Starfleet crew, and it's another keen reminder of the fact that we're watching people who have none of the history we've come to rely on, that they're closer to our time than they are to Kirk's.  There's also a nice bit of symmetry there, too, from another campfire scene, one of Star Trek V: The Final Frontier's best moments, in which old friends are merely enjoying each other's company.  If there's one regret for this series, it's that there wasn't another campfire moment in its final season.  Would've been fitting.

criteria analysis:
  • franchise - A crew handicapped by its reluctance to use a transporter!
  • series - A personable early approach to the crew.
  • character - Trip and T'Pol in an early bump in the road for their relationship.
  • essential - That's a missed opportunity.  If it had been written as a Trip and T'Pol episode, rather than one that features them in one particular moment, it would have greater lasting impact.
notable guest-stars:
Kellie Waymire (Cutler)

Wednesday, May 9, 2012

Voyager 6x22 "Muse"

*

This is a rare instance of an episode centering on B'Elanna Torres that could just have easily starred a different character.  This is not to say that Roxanne Dawson is atypically bad in the episode, but that there's nothing particularly relevant to Torres in the story, which otherwise is a fairly typical if somewhat interesting Star Trek story about an alien culture trying to make sense of its place in the universe, and the general value of art.  Again, I'm not saying that it's a waste of an episode, but that there's not a lot to sell it on.  Move along!

franchise * series * essential * character

Notable guest-stars:
Kellie Waymire

Memory Alpha summary.
Related Posts Plugin for WordPress, Blogger...